MOC 10-1002 :: PETER THOMAS SOUND ORCHESTER

THE TAPE MASTERS VOL.2 – Soul Power West Germany (2×10″ Box)

The second installment of The Tape Masters series by German film music maestro Peter Thomas.
Audiophile pressing in deluxe 2×10″ vinyl set, limited to 500 copies.

While volume one of the series compiled Thomas’ dopest library music cuts, this album dives deep into the soulful side of the Peter Thomas Sound Orchester, featuring the mystique house band of Afro-American Munich GI club Tabarin Bar, Donna Summer’s first solo recordings, stunning cinematic funk instrumentals and a healthy amount of breaks and beats.
Out of the 20 scorching tunes on this compilation, only three were released at the time of their recording and are nearly impossible to find on the 2nd hand market, ten have never been released anywhere before, others celebrate their first outing on vinyl or in stereo.

Peter Thomas is widely acknowledged as Germany’s most inventive film music composer of the 1960s and 1970s, best known for his iconic soundtracks. Today, his work is cherished not least for its incredible groove factor.
The story of this compilation traces the origins of the Peter Thomas Sound Orchester’s rhythm section and its soul music background, shines a light on unsung heroes like singer Joe Quick and unearthes nuggets that have been lying dormant on tape for decades.

All music was carefully transferred from Peter Thomas’ private master tapes and cut in full dynamics, housed in a beautiful fold-out cover with liner notes and private pictures. The compilation is released in cooperation with Peter Thomas’ son Philip who represents the Peter Thomas Sound Orchester catalogue since his father’s passing in 2020.  

MLP 1014 :: THE MIGHTY MOCAMBOS

A Higher Frequency

Germany’s iconic deep funk collective digs into a new soundscape: “A Higher Frequency” was recorded with a nine-piece live to tape at legendary MPS studio in the Black Forest, adding an airy, jazzy flavour to their trademark raw and breaks-heavy funk. Ten tracks full of spiritual grooves, soulful themes, loose funkiness and organic interplay, captured with state-of-the-art 1960s gear in a super-vibey room – but the title A Higher Frequency is not just about the pristine analogue sound quality of the recording, it is also a reference to a trancendant wavelength where minds meet and music connects.

Together with long-time friends and collaborators Daniel Kimaz on flute and Guillame Métenier, who worked his magic on the studio’s historic Bösendörfer grand piano and Hammond organ, the group spent a week in the Black Forest, with full focus on the mission to capture the live energy and togetherness of the ensemble.
The result is an album bursting with positive energy and power, rooted in a universal funk groove with excursions into many colourful branches like outernational, cinematic, soulful jazz, psychedelic & disco.

The common thread is a propulsive, driving-forward feel: “Open The Gate” welcomes us with hard-hitting breakbeats and dramatic crime brass, followed by the cool groovin’ piano-led soul jazz of “Get Loose”, while “Spinning” takes us on a ride through cinematic horn choruses and folky-psych flute and guitars. “Back And Better” is Nichola Richards’ time to shine, laying her sweet vocals over the sparse hiphop-infused soul beat to tell a comeback story. “Sweet Company” is a lighthearted uptempo tune inspired by TV and library themes of the 1960s. The swampy groove of “Sparks Of Joy” best reflects the fun of the band playing together and “Phantom Power” combines a trademark Mocambo breakin’ theme with an unusual instrument, an electric phin from Thailand – a nod to the many so-called “world music jazz” recordings that the MPS studio gave birth to. On “Can’t Stop This Fire”, soul singer Carlton Jumel Smith from New York City takes over the mic as a special guest and brings the house down with a heavy funk delivery. “When We Roll” builds another highlight where bouncy drums play off disco-jazz horn themes and finally, the gospel-flavoured cine-soul epic “Homebound” drives it all home.

MOC 10-1001 :: PETER THOMAS SOUND ORCHESTER

THE TAPE MASTERS VOL.1 – Library Music (2×10″ Box)

25 killer library music cuts by the German film music maestro on audiophile pressing in deluxe 2×10″ set. Uberrare and never released before material from 1968-1976, sourced from Peter Thomas’ personal reel-to-reel tape archive. Limited edition of 500 pieces.

From brassy big band funk, space jazz, krauty synth experiments to proto-hiphop, cosmic schlagers, heavy easy listening, soulful soundtrack moods and absurdly dreamy LSD ballads, this compilation encompasses the composer’s most obscure and yet most transcendent work.

Peter Thomas is widely acknowledged as Germany’s most inventive film music composer of the 1960s and 1970, best known for his iconic soundtrack work. He scored over 600 films and episodes, from the crime blockbusters of Jerry Cotton and Edgar Wallace to indie arthouse films like Playgirl, Bruce Lee’s The Big Boss and the extraterrestrial Space Patrol and Chariot of the Gods.

His recordings for music libraries often provided an even more leftfield approach. Their visionary ‘dope beats’ appeal provoked a keen interest from vinyl aficionados, beatmakers and rare groove DJs alike. Unavailable for the public, the original “for professional usage only” albums are now sought-after collector’s items that fetch astronomic prices on the 2ndhand market. This double 10″ album is the definite selection of Thomas’ best library cues from the Golden Ring Records, KPM and DeWolfe catalogues, many of them available publicly for the first time – plus four recently unearthed “lost” tracks from Warner Chappell’s CPM Archive series that have never been released on vinyl before. All music was carefully transferred from Peter Thomas’ private master tapes and cut in full dynamics, housed in a beautiful fold-out cover with liner notes and private pictures. The compilation was realised in cooperation with Peter Thomas’ son Philip who takes care of the Peter Thomas Sound Orchester catalogue after his father’s death in 2020.

MLP 1013 :: SUN ATLAS

Return To The Spirit

Transcendental outernational funk and psychedelic jazz from mystery L.A.- based collective Sun Atlas. Little is known about Sun Atlas. The group members are hidden behind masks and costumes to keep their identities secret and to put the focus entirely on the music and oneness. A sense of community and universal spirit as an alternative to idolization and individualism is heavily reflected in their eclectic musical style.

The sound of Sun Atlas is mystical and cosmopolitan, combining afrobeat, cinematic soul, spiritual & ethio jazz with space sounds, hiphop-breaks and a garage funk vibe.

Their cryptic first 45 single “The Mystic Parade” b/w “Grand Theft” sold out immediately after release and has often been mistaken for either “lost” hiphop samples, 70s habibi funk or another project in disguise from the inner circles of the Mocambo, Big Crown or Daptone families (which it is not).

Return To The Spirit picks up where Sun Atlas’ first single left off, with everyone wondering where the journey might lead. With the door to a colourful universe opened, the full-length format gives time & space for further exploration.

MLP 1012 :: ELEVEN76

Synchronization

Kraut synth funk explosion from the sci-fi, library & soundtrack specialists.
DIY funksters break into museum, steal modular moog and record proto-electro-punk with dusty live drums, wild percussion and out-of-control analog synth sequencing onto Tascam 8-track tape.
Following their debut ‘Space Voyage’ for Warner Chappell’s music library and the outernational soundtrack LP ‘Occhio Occhio’, the U.K. based trio return with a darker, heavier edge on their new full-length ‘Synchronization’.
The soundtrack to a strange and mysterious dystopian future Immersed in the sounds of arpeggiated vintage synths, full fat drum breaks and fuzz guitars. At times the album is reminiscent of post punk with hints of boom bap hip hop and as the album progresses the listener is transported to the dance floors of Berlin’s underground raves. In an age that sees AI increasingly omnipresent, Eleven76 take control of the technology, creating a hybrid, genre spanning, production style that could only come from their hive mind.

The trio surrounded themselves with an enviable array of vintage synths and modern classic studio toys, with Paul Elliott and Anthony Donje at the helm of patching, connecting and bringing these analog beasts to life, while Timmy Rickard continued to lay down the grooves as the heart of the rhythm section. The result is SYNCHRONIZATION, of synth and drums, pictures and sounds, man and machine – and of your heart and brain if you’re ready to get synchronized.

MLP 1011 :: THE MIGHTY MOCAMBOS

scenarios LPScénarios
A unique longplayer by Germany’s Funk champions The Mighty Mocambos: ‘Scénarios’ is a wild journey through iconic performances captured on 8-track tape, including celebrated versions of breakdance favourites like ‘Axel F.’ And ‘Let The Music Play’ as well as brand new original material composed especially for recordings in unusual settings.

Hamburg’s deep funk chefs are known for their intuitive recordings that capture the energy of a live performance, and with this record they go all the way.

Just before the pandemic, the group recorded an in-store live session at legendary Hamburg record shop Groove City and taped an impromptu performance at JAM PDM! breakdance battle in Potsdam. Both were released on vinyl 45s, quickly sold out and became secret weapons for DJs.

While most bands shifted their stage to the studio in 2020, producing an abundance of isolated lockdown-inspired material, the Mighty Mocambos – never shy of an antidote – took the mobile version of their recording studio on the road.

With no audience allowed at the Pitt Hopkins Music Session charity concert, the group used the occasion to compose meditative folk-soul instrumentals to be performed exclusively on stringed instruments. Sweaty funk does not work via video stream, but the format provided a welcome opportunity to create something entirely different. Even without electricity and drums, the cinematic “Four Two Three” and “Silent Heroes” are unmistakably recognizable as Mocambo themes.

When you follow Nina Simone’s credo that an “artist’s duty is to reflect the times”, it became evident that once the world slowly started opening up again, further concerts would be captured on the group’s portable Fostex R-8 tape machine. Luckily, restrictions fell on the very evening that the band hit the open air stage at the Import Export in Munich on September 11th 2021. The extended afrobeat-inspired jam on J.J. Cale’s “Carry On” witnesses people celebrating and dancing together again for the first time after a year and the manic “Munich Psycholympics” unleashes all bottled-up energies that had being lying dormant.

The slightly kafka-esque “Ghost Walk” was taped during a soundcheck for a concert that was eventually called off for safety reasons, reflecting once more the uncertainty of the time. The last scénario sees the Mighty Mocambos returning to a packed indoor venue, playing “Let The Music Play” to a audience of b-boys and -girls – a testament to the sheer power of music. Featured as an encore here, an acoustic version of “Where Do We Go From Here?” (originally recorded with Lee Fields) closes the record and its restless voyage through unusual recording situations.

“Scénarios” differs drastically from other live albums as it does not seek to replicate existing material from studio albums. All songs were written or arranged especially for the live recordings in order to combine the group’s DJ-friendly trademark sound with added vibes and momentum from the audience. Most of them were recorded while they were performed in public for the first time ever.

Comes in gatefold sleeve & includes download voucher.

MLP 1010 :: THE MIGHTY MOCAMBOS

20662066

In a world awash with negativity and fear, you are invited to climb aboard the Mocambo mothership where all colours and creeds are celebrated. ​The Mighty Mocambos​ have returned – stronger, tighter and hungrier than ever. Carrying blistering funk lines in their fingers and worldly influences in their hearts, the unique and distinctive Mocambo sound is not one to be confused with retro bands trying to recapture an era.

Eschewing traditional recording methods, this DIY crew are committed to driving forwards, and ​2066​ sees them at the height of their powers, broadcasting a call for unity.

After reaching new audiences worldwide and earning critical praise for their two long players on Brooklyn’s Big Crown Records in their tropical guise as ​Bacao Rhythm & Steel Band​, the band have reassembled and refocused in their original form, the workhorses behind dozens of 45s on the Mocambo label and beyond. Crossing generations, this album introduces some of the world’s youngest funk talent to step up and rub shoulders with soul and rap legends, soul sisters, an elder statesman composer/arranger and a brand new emerging artist out of New York.

As with all Mocambo releases, the two sides of the record have been meticulously sequenced by the band. Side A welcomes us aboard with joyous instrumental stomper ​Preaching To The Choir​, and a call to build bridges from Mocambo chanteuse and percussionist ​Nichola Richards​, duetting with emerging rap talent, NewYork MC​ JSwiss​.

B-girls and b-boys are called to the dancefloor as S​uperstrada ​and Concrete Stardust​ commence, all buzzing synth lines and relentless drums. New Jersey legend and Big Crown associate Mr ​Lee Fields​ is guest of honour for ​Where Do We Go From Here​ before a horn workout brings us to a close with ​Macumba.​ It’s time for a breather.

The B side kicks off with the grand return of the Golden Girl of Funk, ​Gizelle Smith,​ a sister who’s been busy taking on the world. Composer and presenter​ Peter Thomas​ narrates a ​Return To Space​ to mark the centenary of the debut of his score to sci-fi show Space Patrol, which first broadcast in 1966. We’re back down to Earth and the mean streets for the furious drums and car chase workout of ​Golden Shadow​. ​

Today​ slows down the pace for a reflective ballad with Nichola front and centre – and here’s the next generation: the ​Mocambo Kidz​ sing along to their parents’ instrumentation for ​Here We Go​, a new kids’ block party anthem… with no sleep ‘til bedtime. The album closer makes it clear that the Mocambos are nowhere near powering down as ​Ice T​ and ​Charlie​ F​unk​ bring their A-game for an old school attack which, since you’re up bouncing anyway, gives you no excuse not to flip the LP and drop the needle right back on to Side A. Onwards!

A summation of their journey so far and a celebration in anticipation of what’s to come, the album is set
to take its place in a legacy of open minded, organically recorded music, showering listeners with the crew’s maze of tantalising sounds pulled from funk, afro, hip hop with cinematic composition and storytelling.

MLP 1009 :: ERIC BOSS

A Modern LoveA Modern Love

DJ, producer, singer-songwriter, one-half of world-touring soul duo Myron & E (Stones Throw), founder of boogie outfit The Pendletons (Bastard Jazz), part of electro-funk duo Lucid Paradise, and an endless string of collabos. Over 2 decades in the game means multi-faceted artist Eric Boss knows his way around music. Having been there, done that, gotten the t-shirt and watched the fat lady sing, it’s finally time for E to take center stage and deliver his finest effort yet with solo record “A Modern Love”, an effervescent collection of raw funk, sweet soul, west coast vibes and classic hip hop, produced by Björn Wagner and Steffen Wagner (The Mighty Mocambos / Bacao Rhythm & Steel Band).

“A Modern Love” has all the ingredients of a future classic. High-profile guests? Check: with Gift Of Gab (Blackalicious) rapping on “I Wanna Ride”, a track with more bounce than a lowrider chevy on Santa Monica boulevard, and soul siren Gizelle Smith featuring on “Spiders”, a spooky number that will get you jumping out of your seat like you’ve been attacked by giant 8-legged arachnids.

Need some dancefloor action? “Get Next To You” gets down to serious bizniz with crisp drums and a catchy hook guaranteed to get the partystarted.

Something for lovers? We’ve got it covered with “Is It Love”, where Eric waxes lyrical about his sweetheart over a honey-drenched soul beat.

From reggae-flavored vibes being served in inspirational number “Your Life Is Up to You” to the slow-burning grooves of “Merry Jane” which features singer Ishtar, the 10 tunes on “A Modern Love” all attest to Eric Boss’ talent and versatility.

Judging by how quickly the limited edition 45 of album opener “Closer To The Spirit” sold out when it was released, it seems safe to say Eric Boss is a king Midas with the golden touch when it comes to providing fresh grooves for contemporary ears, and “A Modern Love” is set to prove so once again.

MLP 1008 :: THE MIGHTY MOCAMBOS

MOC_Showdown_LP_RZ_PFADE.inddSHOWDOWN

Release date: 27.03.2015

also available on Compact Disc by Légère Recordings and P-Vine Records, Japan.

The Mighty Mocambos’ new album “Showdown” sets another cornerstone in their prolific career as a globally active instrumental funk outfit. While maintaining their organic approach of recording real musicians live on tape, the group has refined their trademark sound with a dramatic edge, a hard hitting production and ventures into less obvious musical territories.

While highly enjoying themselves as the tight unit they are, The Mighty Mocambos invited an exciting list of guests to contribute to their musical “Showdown”: German film composer icon Peter Thomas, hiphop godfather Afrika Bambaataa, rap legends Charlie Funk aka Afrika Islan (member of the original Rocksteady Crew) and Donald D (of Ice-T’s Rhyme Syndicate), plus Nichola Richards, Shawn Lee, DeRobert from peer label GED Soul in Nashville, Zulu Nation MCs Deejay Snoop & DJ Hektek and organ genius Guillaume Metenier all joined the group for their new musical adventure.

With two highly successful albums under their belt as The Mighty Mocambos and a plethora of singles and music under different monikers such as the Bacao Rhythm & Steel Band, this new full-length is by no means the final battle, indeed the show has just begun. The album shows a group who is prepared to stand up with anyone in the game. Their guns are heavy beats, epic horns, dual guitars and outstanding compositions – and they are locked and loaded.
The Showdown theme also reflects our times, and the group continues to spread the vision of “peace, unity, love and having fun(k)” by choosing musical instrumenents as their weapons of choice.

The songs come along as coherent as they are diverse in nature. The old school discofied breakdance tune “It’s The Music” and the funked up Rolling Stones cover “Hot Stuff” were released as a vinyl singles before. Both were playlisted by the BBC and have become club favourites by DJs like Craig Charles. Both songs are from the ongoing collaboration with Afrika Bambaataa and Charlie Funk, this time they brought Hektek and Deejay Snoop with them for some chants and talkbox.
The epic opening track “Road To Earth” features the one and only Peter Thomas on piano and orchestral arrangements. Thomas wrote over 500 film scores, most widely known are his works for the 60s Sci-Fi series “Space Patrol”, “Chariot Of The Gods” or German cult crime series like “Edgar Wallace”.
“In The Dark” introduces young soul singer Nichola Richards with a fine piece of sister funk. Her personal showdown is love-related. “The Spell Of Ra-Orkon” is a sinister afro-funk inspired instrumental with a fantasy score chorus. “Political Power” unites Afrika Bambaataa, Charlie Funk and Donald D for a bold statement against repression by politics and media. “Drifting Stars” is a take on Sixties sci-fi erotica instrumentals from an indie hiphop point of view.
“Not Get Caught” is DeRobert (of the DeRobert & the Half Truths) telling a story about committing a crime on a low down funk beat. Dee agruably has the most amazing soul voice of our generation, and it’s hard not to believe his showdown story. “Catfight” is an uptempo soulshaker with a mysterious Eastern flavour and a tripped out downtempo break, featuring well travelled multi-instrumentalist and tiger Shawn Lee on a variety of exotic string instruments. Cats have their showdown too.
“Locked And Loaded” is cowbell breaks at their best, another b-boy favourite for a one to one, while the title track was meant to combine spaghetti western and blaxploitation aesthetics with soul drums. It ended up sounding like the Mighty Mocambos with more trumpets, which it actually is, and which is brilliant.

MLP 1007 :: CAROLINE LACAZE

MOC-Caroline_LP-cover_05.inddEN ROUTE

Release date: 22.4.2013

‘En Route’ is the stunning debut album of young soulful French chanteuse Caroline Lacaze!
The mixture on “En Route” is eclectic: nonchalant 60s beat, mysterious psych-pop, raucous funk and longing French chanson, all combined and held together with the energetic raw soul sound and the skillful ‘mise-en-scene’ by the Mocambo Electric Sound Orchestra.
Whether the mood is uplifting (“En Route Madame”), mysteriously sexy (“Minutes D’Insousciance”), melancholic (“Ici”), joyful (“Laisse Tomber”), sombre (“Je Reste”) or a shift up a gear from mere retro with a hot-rodded take on the Serge-Gainsbourg-penned Brigitte-Bardot-classic “Harley Davidson” from the swinging 60s, Caroline sings it with passion, energy and sincerity that is rarely heard of today.
Caroline Lacaze’s songs capture all the facets of an exciting voyage, the joy and pain of being away from home, leaping straight forward – with an occasional look in the rear-view mirror.

“The mixture of French singing and raw soul really works by gad. A match made in heaven.”
Emrys Baird, Blues & Soul Magazine, UK

“What a lovely piece of funk magic – that’s how soul in 2013 should sound like. Cool, powerful and with a twist.” Michael Arens, Soultrainonline, Germany

 “The French vocals provide a refreshing perspective and a nice touch…super-impressive backing” Imran Mirza, The Blue-in-Green-Blog

“A talent that is undeniable”
Colorising, Colorising.com Blog

“The French language vocals give it a feel unlike most new funk we’ve heard lately. Caroline’s got a greatly soulful voice”
Dusty Groove, Chicago, USA

“Caroline Lacaze records French retro soul that’s crunchy, deep, funky and growingly addictive!”
Julien Lakshmanan, Paris DJs

“Super cool release from the Mocambo lads. Loving their trademark heavy heavy grooves nicely topped with those so slinky tones from the French talent that is Caroline Lacaze.”
Craig Charles Funk & Soul Show, BBC 6MUSIC

“Funk? Soul? Mod? Hard to categorize, but simply amazing what Miss Lacaze and the Mocambos deliver with `En Route´.”
Tobias Kirmayer, Tramp Records

“Solid french pop with an attitude – made in Germany! Caroline Lacaze’s voice switches easy from heavy sixties-tingend psyche soul to uptempo yéyé sound. Backed by the Mocambos under their new moniker Mocambo Electric Sound Orchestra nothing can go wrong. Their sample-friendly pounding drumsound is pure delight! Love it!”
Oliver Korthals, Mojo Club